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Musical artist

Chris Prynoski, the animator behind the hallucination scene in Beavis and Butt-Head Do America, heard Barton's score for Call 💯 of Duty: Modern Warfare and asked him to score Titmouse's animated series G.I. Joe: Resolute,[5] which led to a further 💯 collaboration on a series for Disney, Motorcity.[6] In addition to those he also co-wrote the music for MTV's Disco Destroyer,[7] 💯 a project conceived by Scott Mosier, Jim Mahfood and Joe Casey and animated by Titmouse, composing the score with Chevy 💯 Metal and My Ruin guitarist Mick Murphy. Subsequently, he scored Titmouse's Niko and the Sword of Light series for Amazon 💯 Studios.

In 2024, Barton served as the primary composer for season three of Star Trek: Picard, which was released in 2024. 💯 He was the sole composer for the first six episodes of the season and shared composing duties with Frederik Wiedmann 💯 for the final four episodes. Barton reused themes and styles from many prior Star Trek composers, notably including Jerry Goldsmith 💯 and James Horner, combining them with his own original music.[8]

Other work [ edit ]

Barton has collaborated frequently with Sir Anthony 💯 Hopkins since producing the soundtrack for the film Slipstream in 2006. He produced the Decca album "Composer", which topped the 💯 UK Classical charts for a month in 2012,[9][10] as well as collaborating with Hopkins on the production of "And The 💯 Waltz Goes On" with André Rieu, which won the Classic FM "Album Of The Year" award in the Classic Brit 💯 Awards 2012.[11] As a pianist he has performed extensively as a soloist with numerous orchestras including the Dallas Symphony Orchestra, 💯 Colorado Symphony,[12] City of Birmingham Symphony Orchestra, and the Brussels Philharmonic, as well as on numerous movie soundtracks and diverse 💯 albums including Hybrid's I Choose Noise[13] and playing the mellotron on a cover of Snowblind for Fireball Ministry's eponymously titled 💯 album in 2010.

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